SCOTT BRADLEE's POSTMODERN JUKEBOX

Publicat in: 22.01.2018, 06:55AM
Autor: Richard Constantinidi
Comentarii: 0
Vizualizari: 76764
Etichete: Postmodern Jukebox, Scott Bradlee, Scott Bradlees Postmodern Jukebox

ICM is pleased to announce that Concord / Universal recording group SCOTT BRADLEE'S POSTMODERN JUKEBOX will be touring Europe from late June through the early part of August - looking for festivals, clubs, theatres, and all other special situations...

Since Bradlee created PMJ in 2009, the project has amassed more than 900 million YouTube views and 3.1 million subscribers, chalked up more than 1.3 million likes on Facebook, topped iTunes and Billboard charts, and played hundreds of shows to sold-out houses around the world. Any PMJ fan can tell you that each concert experience is never the same twice, with new songs, new sounds, and new members added to the ever-growing family each time around. Each time around, PMJ looks forward to bringing their unique spin on modern pop hits and retro pop stylings.

Despite finding such success for the project on the road, Bradlee continues to arrange and record new arrangements, released every week on YouTube, for PMJ's legion of fans. The multi-talented collective has interpreted hits by Lady Gaga, Beyoncé, The White Stripes, Lorde, Outkast, Radiohead, Maroon 5 and many more. In 2016, PMJ collected 18 favorites from among their hundreds of songs to compile The Essentials for Concord Records. The album included the song that put the band on the map, a vaudevillian cover of Macklemore & Ryan Lewis' "Thrift Shop," and their '50s doo-wop version of Miley Cyrus' "We Can't Stop," which garnered more than 19.5 million views. Last year, PMJ released The New Classics (Recorded Live!), including the hit cover singles "All About That Bass" and "Black Hole Sun ft. Haley Reinhart."

"I take pride in putting together the right powers and personalities to create a unique and amazing experience for our fans," Bradlee says. "We want them to escape reality and join us for the most sensational 1920s party this side of The Great Gatsby. We want them to experience what it was like to be at the New Years' Eve show that Sinatra would have hosted in the 1940s. We want them to feel the excitement of hearing the greats of Motown live and up close. Our goal is to give our audiences their favorite show again and again and still have it feel like the very first time."

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