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2017.APR.20-22. Tito Puente: A Fifty-Year Retrospective of El Rey

Publicat in: 14.03.2017, 06:23AM
Autor: Richard Constantinidi
Comentarii: 0
Vizualizari: 194
Etichete: El Rey, Hostos Center For The Arts And Culture, José Madera, Tito Puente
2017.APR.20-22. Tito Puente: A Fifty-Year Retrospective of El ReyIn the first ever retrospective of the life and legacy of one of the most important figures in Latin Jazz, The Hostos Center for the Arts and Culture announces “Tito Puente: A Fifty-Year Retrospective of ‘El Rey,’ a multi-day, in-depth examination of his career through concerts, panels, film, dance, and more. With support from the National Endowment for the Arts, the retrospective, under the artistic direction of former Puente musical director José Madera, Jazz@ Lincoln Center Orchestra bassist / composer / arranger Carlos Henríquez, and Puente historian and archivist Joe Conzo, Sr., will take place from Thursday, April 20 through Saturday, April 22, 2017 at the Hostos Center for the Arts & Culture at Hostos Community College, located at 450 Grand Concourse (at 149th Street) in the Bronx.
Ernesto Antonio "Tito" Puente (April 20, 1923 – May 31, 2000) was arguably the most popular Latin artist of his time and many believe had the greatest influence on the Latin jazz art form, in melding innovative ideas related to jazz with the Afro-Cuban tradition of the mambo and other styles. With eight Grammys, 189 albums, and a career that spanned five decades, he was known for bringing Latin music to new audiences and as the composer of such hits as ''Oye Como Va' and "Ran Kan Kan." With an influence on the entire music field, he helped to promote the careers of many artists including singers Celia Cruz and La Lupe. 
Tito Puente had a deep connection to Hostos. He performed at the Center many times and Hostos Community College maintains an archive of Puente memorabilia with posters, musical instruments, awards, photographs and recordings. For the past five years, the College has offered a continuing education course focused on the Latin Jazz master which has featured many former Puente band members and musical associates as guest speakers.  A logical extension, the three-day event at Hostos will promote a greater understanding of this important artist and the art form he helped to create, engaging both hard-core Puente fans and those less familiar with the artist, with many multimedia and multigenerational activities.  
The three concerts over the course of the retrospective will cover the entire career of Tito Puente. On April 22, 2017, the 18-piece Mambo Legends Orchestra, led by José Madera and which features many Puente Orchestra alumni, will perform the master’s music from his early years, 1950 – 1966 known as the “Palladium era,” For this event, Madera has transcribed and arranged material from the six different instrumental iterations of the Orchestra some of which has not been heard in over 50 years.
Preceding, on April 21, 2017, Jazz at Lincoln Center (JALC) bassist / composer / arrangerCarlos Henríquez, who performed with Puente at the age 17 and regularly leads the J @ LC Orchestra, will premiere a 12-piece ensemble of musicians, performing a youthful take on Puente’s music. Focusing on the Latin Jazz Era from 1967 to 2000, the recreated charts will be from a period when Puente moved away from the 17-piece band and embraced smaller ensembles such as “the Golden Men” as well as from his recordings with the legendary singers Celia Cruz and La Lupe. In partnership with Lincoln Center Education, Henríquez will also lead a free family performance for all ages, teaching young audiences why Puente’s music continues to influence a new generation of fans. 
The retrospective will also include workshops, a panel discussion, and a film, amongst other activities. José Madera, John “Dandy” Rodríguez, and other notable percussionists will lead a percussion workshop, open to the public. A panel discussion, “Don’t Call it Salsa: The Legacy of and Impact of Tito Puente on Latin Jazz” will feature music historians and musicians, and the PBS documentary “Tito Puente: the King of Latin Music,” will be screened with a talk-back after. Hostos will create a listening room, where Joe Conzo Sr. will play never before heard selections from his personal collection of more than 6,000 Puente live recordings. The Tito Puente Legacy Project, the archive that includes posters, photographs, awards and musical instruments of the bandleader, will be open throughout the weekend and a tour will be available.
A full schedule of dates and times will be released in late February.  
Tickets will be available on February 8, 2017 and can be purchased by calling (718) 518-4455 or online at www.hostoscenter.org. Box Office window hours are Mon. – Fri., 1 PM to 4 PM. Hostos Community College can be reached by the IRT 2, 4, 5, and busses Bx1, Bx2, Bx19 to East 149th Street and the Grand Concourse.
This retrospective is made possible by the support of the Hostos Community College Foundation, the National Endowment for the Arts, the New York City Department of Cultural Affairs, the New York State Council on the Arts, New York State Assemblyman José Rivera, New York City Councilmember Rafael Salamanca Jr., and Bronx-Lebanon Hospital Center.

ABOUT José Madera
José Madera spent 31 years with the Tito Puente Orchestra, first serving as a percussionist and later as the musical arranger and the musical director. Today with the Mambo Legends Orchestra, Madera has recreated and rearranged much of the music that the band performed during the heyday of the Mambo. Prior to joining Tito Puente, Madera played with the famous Machito Orchestra. Later, he worked with the legendary Fania Records as a staff arranger. He has written many arrangements for countless Latin, pop, R&B, and jazz artists and has recorded with many of them, with over 250 recording and 75 album credits to his name, including Diana Ross, James Brown, Dizzy Gillespie, Celia Cruz, Chico O'Farrill, Lionel Hampton, Charlie Parker, amongst many others.
About the Hostos Center for the Arts & Culture
The Hostos Center for the Arts & Culture consists of a museum-grade art gallery, a 367-seat Repertory Theater, and a 900-seat Main Theater, presenting artists of national and international renown. It is easily accessible from Manhattan, Queens and New Jersey and is a mere 15 minutes by subway from midtown Manhattan. www.hostoscenter.org
About Hostos Community College
Hostos Community College is an educational agent for change, transforming and improving the quality of life in the South Bronx and neighboring communities since 1968. Hostos serves as a gateway to intellectual growth and socioeconomic mobility, and a point of departure for lifelong learning, success in professional careers, and transfer to advanced higher education programs. The College’s unique "student success coach" program, which partners students with individualized guidance, is emblematic of the premier emphasis on student support and services. Hostos Community College is part of CUNY, the nation’s leading urban public university serving more than 480,000 students at 24 colleges. https://www.hostos.cuny.edu/

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